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— 2020
45° 32’ 17.38” N
122° 40’ 18.715” W
23 alumni
920 days
Today’s date:

Megan
Wood

markmaking
painterly
nature
poetry
prose
sapphic
love
florals
mess
art history
atmosphere
tenderness
femininity
fluidity
texture
queer
lesbian pride
environmentalism
emotionality
beauty
mixed-media

Megan faces camera with gentle smile, dramatic lighting, hands clasping open cardigan at waist

Megan Wood is an illustrator working in a variety of mediums, such as digital art, oil paint, gouache, and ink, striving for diverse representation and equity. Her Thesis project, Openhearted, is an illustrated collection of sapphic poetry from around the world. Wood was awarded the 2019 PNCA Illustration Department Merit Scholarship, 1st place in the Carey Life Drawing competition in 2018 and 2019, and the 2018 NOAA Art & Science Award.

Megan faces camera with gentle smile, dramatic lighting, hands clasping open cardigan at waist
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Megan sits in dramatic lighting, head turned slightly right, gaze to camera
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Megan sits on stool in dramatic lighting, left leg bend in with foot on stool, hands holding foot
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Megan sits on stool, shoulders squared to her right, right knee bent with foot on stool, arms around bent leg with a slight lean back
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Red and white expressive painted rabbits overlaid on newsprint

Is there anything you wish you had known when you started school, that you know now?

Megan: I wish I knew the point of school wasn’t to make perfect work all the time and make things to please other people. I wish I had started to ask myself what I wanted to do earlier, instead of doing what I thought others wanted.

What would your alter ego do, if not illustration?

Megan: I absolutely love caring for dogs and teaching kids art, so if I could create a hybrid dog shelter/art camp, I’d be in heaven.

By showing unapologetic displays of Sapphic love, hopefully it becomes more acceptable and normalized for those outside the community, and is empowering for young people struggling to find themselves.

If you could go anywhere and draw, where would you go?

Megan: I love hiking through mossy, old-growth forests, and would love to explore more of Oregon and draw the native flora and fauna.

Why do you do what you do?

Megan: I create artwork referencing what it is like to be a lesbian because I desperately needed it when I was younger. By showing unapologetic displays of Sapphic love, hopefully it becomes more acceptable and normalized for those outside the community, and is empowering for young people struggling to find themselves. I also strongly believe in the healing power of art and expressing myself through my work.

What do you collect? Or, what are you obsessed with?

Megan: I have a rock collection I started in childhood that is still expanding—I grew up collecting thundereggs and agates in Eastern Oregon and have been fascinated by rocks of all kinds ever since. something useful.

Illustrated two page spread of watery blue sky with stars and eyes painted across a short poem titled 'El Beso' A splash of inked figure drawings in various short poses on butcher paper Painted illustration of a figure mixed with a background of trees, face obscured by yellow and white flowing brush strokes set against a dark background Painted portrait of a woman with dramatic lighting casting red  on her face with a blue background, hair slightly obscuring face Hands holding open a soft bound book to a poem on a  blue watercolored 2 page spread, closed book propped up in the background showing hand lettered cover titled 'open hearted' Two page illustration spread, cool blue colors. left side shows a unicorn bound with bright pink lines, soft paint strokes of mane crossing page, right side shows a woman of color gazing down to the left, forlorn Physical copies of 'Celestial bodies' zine, showing illustrated cover on closed book and zine opened in the foreground to a two page spread with starry dark sky on left  and a drawing of a human figure in plants on right Cute illustration of young black girl and young white girl in a fall scene, sharing an umbrella Illustration of dense forest scene with a bold white unicorn, small scale, in the background Close up graphic illustration of two women of color, one on her back caressing the hair of the other woman sleeping on her shoulder. Text reads 'to make visible what was invisible'

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